A Jew in Rome

I am still making sense of this whole “being Jewish” thing. For two decades now I’ve been managing the news. It’s not a disease, I know, like Diabetes or Cystic Fibrosis, and to “manage it” makes it sound like a misfortune, but to be dealt a Jewish hand in the card game of life has never felt like a full house. Nor of course, is it a bust. Managed is all; because as I get older  and am confronted with the responsibility of creating my own life, with its own identity, this Jewish thing keeps turning up like an exhausted lover in an undefined relationship, asking: are we together or not?

In Rome, the world’s most Catholic city, I recently celebrated Passover, the Jewish escape from Egypt. Like misogynists who use women solely for sex, I’ve used Judaism solely for free food, and it wasn’t until I felt a sharp loneliness in Italy, that I coughed up thirty Euros to be surrounded by Jews in the country’s capital. A choice so wholly inconsistent with my relationship to the tribe, that it felt I was watching someone else make the decision. For years now, I’ve been playing an unspoken game of hide and seek with the Rabbis of Chabad and in Italy, I willingly forfeited.

Considered an expansive Orthodox-Jewish-Hasidic-movement, Chabad ironically seems as ubiquitous as the God they worship, and what better medium to spread their doctrine than Facebook.  Whenever arriving in a new city, an indiscernible face of a Jewish man with a bedraggled beard and an austere black hat  will pop up in my Facebook inbox. The notes they send are as similar as they are inevitable. It will generally include three things: they are so glad I am in the area, I should come for shabbat, and we Jews must always stick together. The first time it happened was in  2016, while studying in the U.K, Rabbi Mendy Singer messaged me on Facebook, insisting I celebrate the Sabbath with him over in Bristol. A year later in Hawaii, after having blown myself up trying to fix a car, there he was, Rabbi Moshe Greenblatt waiting for me outside the hospital, standing in a full orthodox get-up under the oppressive Hawaiian sun. Brussels, Paris, Montreal, wherever, the Yids will find me. Never has it been entirely clear how the Eliezers, the Moshes, and the Solomons learn of my arrival but amidst Italian solitude, such a concern fell second to my need for companionship. So when Rabbi Eisenbach from my grandfather’s town in Connecticut caught me at a vulnerable time, I was receptive to his urging that I go to a seder in Rome. Many years back he had been the camp counselor of a boy who was now a Rabbi in Rome and was eager to connect us. My vulnerability made it so I’d be inclined to respond, but I hadn’t yet visited Rome and the religious irony of such a thing is what motivated me to commit. What an idea. Passover in Rome.

I bought my train ticket thinking only of the experience as an opportunity to write something funny, words that would have probably only made a mockery of it. So it served me right that by the time I finally responded to the Rabbi from Rome,  he’d already started to shun technology for the Shabbat. I’d be without a seder as I boarded the train, southbound. Such was a blessing, because in the scramble to find a seder, I stumbled upon a reform congregation on Facebook. They responded to my email immediately with warm welcomes and directions to find them. Their congregation was small, only four-hundred members and thus not big enough to warrant having their own synagogue. They operated out of a nice Hotel situated in the south of Rome. When I arrived, they treated me like the guest of honor. Hugs and handshakes were given like I had just hit the game winning shot at the buzzer.

I sat at the president’s table with his family and seamlessly fit in. The service was in Italian, but the pace and the melody were familiar. An ordinary evening by all accounts. The highlight for me however, after the hummus platters were cleared, was learning about the president’s connection to the holocaust. His grandparents were survivors just like mine, but immigrated to Italy after their release from a concentration camp rather than the United States. Our congruous familial biographies, with their diverging paths created the allusion we were reuniting. This might explain why being surrounded by jews, for worse or better, is always familiar, like coming home. Despite the various foreign languages being spoken, the general disposition of the room was recognizable. The slouching older folks. The Tums. The pocket tissues. The weary, skeptical looks that rested on the faces of those not in conversation. The periodic moaning. Such a scene was likely identical to thousands of other seders happening simultaneously around the globe. Even in my prolonged absences from the Jewish community, each return, at its core, has been a homecoming.

But this I’ve realized is the complication of living in the aftermath of a giant religious diaspora; the bitter sweet relief and frustration of reassembling. Of course many encounter conflicting experiences within their religion, but I have only now, after connecting with my Jewish kin in Rome, been able to crystalize the two intersections in which my Jewish crossroads have met. And so intertwined are they, I’ve never tried to separate the two. I call it. The Pride and the Embarrassment.

The pride. It has become clear that I don’t know what it means to be Jewish in the 21st century without experiencing it, both religiously and culturally, underneath the dark and looming shadow of the Holocaust. The sheer sentiment of survival — of seeing those black, sobering numbers tattooed on the forearms of my grandparents, has provided me, from an early age, the visceral understanding of my existences’ improbability, and therefore an innate and heightened sense of importance. My presence is a miracle.  

And then The Embarrassment. While the dark shadow may cast this mixed up sense of undeserved pride, it also possesses this unshakable attitude of Jewish victimhood.  A victimhood, no matter how significant or petty, that seems, at least for me, to undermine the idea that the strength my grandparents summoned to survive over five concentration camps, could be passed down through blood. That I was born, through either genetics or a collective familial consciousness, to be resilient, to be unshakeable, to be untouchable. The allergies, the doctor’s notes, the overbearing mothers, the “needing to stick together,” all of it, removed over the years, any  wonderment of how we as a people got nearly wiped out a century ago. Oh, do we know how to complain.

This could be a distorted perception — my people’s knack for victimhood. Everyone takes turns playing the victim throughout history. But this is the perception I have, rooted somewhere between personal experience and public opinion. Of course I am aware anti-semitism exists, I’ve witnessed it. But by god, we’re still here and will continue to be, so can’t we act like it? Can’t we shrug at the swastikas drawn on the blackboards and the cheap comments about frugality at our expense. Unfortunately the collective consciousness doesn’t share with us only the  virtuous characteristics, but the clinical attributes like neurotic anxiety and anger. Naive is it to think these two don’t coexist, and will continue to do so in junction.

The free food has always been an effective distraction from the crosshairs I feel I’ve stumbled into but no longer will it suffice. As of now, yes, my Jewish experience seems to exist on two contradictory plains, but it is also naive to think there aren’t others that feel this way, and that it will take a few generations to shed and reshape what it means to be a Jew in America. Patience will have to be the prescription and until then, we’ll continue to “manage it.”

Bus Rides Back Home

An unexpected kiss. Right on the knuckles. On my first Tuesday in Italy, a sturdy and yet delicate woman sat next to me on the bus, took my right hand, and laid upon it an assertive smooch. This was her way of earnestly apologizing for “weak English.” Actually her English was quite impressive, especially considering it was her third language. A refugee from Senegal, this smooth dark-skinned woman named Dalia, who was granted Italian asylum in 2015, took just four years to become fluent in Italian and English. And here she was kissing my hand in broad daylight, apologizing for her language skills.  

In Padova, the hostility towards refugees is as omnipresent as the smell of espresso. Even before I knew of the political leanings of the region, I noticed resentful eyes glaring in Dalia’s direction. And since then, specifically on public transportation where diversity is unavoidable, my awareness of the racial antagonism has heightened. Conversely, whenever I speak my unyieldingly American English, the people of Padova seem to perk up and show genuine interest in me. It appears that to be me – that is, to be white and speak an American dialect –  is essentially to be granted a social passport wherever I go. It’s not just the knuckles kissed or the welcoming smiles, but the willingness – the curiosity, the enthusiasm – to cater to my monolinguistic, Costco perusing, ketchup-eating ass.

In just over two months in Italy, the number of complete thoughts I have expressed to someone in Italian could be counted on one hand. Occasionally I’ll resort to pantomiming to communicate elementary messages. To tell the children I look after that they need to start their homework, I’ll say the Italian word for homework, pick up their backpack, and yell “adesso,” meaning now. They understand. They don’t listen, but they understand.

My limited vocabulary and awkward gesticulations were even less effective while searching for my lost disposable camera. On a quiet Sunday afternoon, I re-entered the church where the boy I chaperone had his guitar lesson earlier in the week. The place looked more like a senior-center cafeteria, and I was at least fifty years everyone’s junior. My relative youth, and the fact I scream American Jew, granted me all the attention in the room. I pretended to hold a camera up to my eye, and I extended and bent my pointer finger a few times to mimic the act of snapping a photo.

I spun around with my mouth open, my palms pointed towards the ceiling and my shoulders shrugged. I concluded the show by rapidly pointing around the room. All this to indicate I lost my camera and it might be there. It’s easy to imagine now, weeks later, that these charades looked more like some bizarre worship dance. In just a seven hour flight to Italy, I somehow had reverted to communicating as I did twenty years ago – like a toddler. And yet, it seemed not to matter. Not one bit. Come sit and have a coffee.

I’ve started to recognize the difference between being tolerated and being accepted. In Italy, I have the privilege of being both. And it’s not just in Italy; everywhere I have travelled I have enjoyed this dual sense of security. But there are moments in Italy where I feel alienated from the culture. And it is these fleeting moments that bring unignorable thoughts that one of my favorite authors, Zadie Smith, categorizes as “the retrospective swirl.” These retrospections, and I’m paraphrasing, are the realizations of another’s struggle, that come to you once you have found yourself in similar situations. In her essay titled The Bathroom, she discusses her retrospective swirl as a mother, slowly coming to understand the actions and choices of her own mother’s parenting. In my moments of vulnerability in Italy – when I struggle to communicate with the children, mistakenly order twelve coffees as opposed to a 12 oz coffee, when I dramatically pantomime to a group of elderly Italians – I remember my friend Mark Johnson, a former exchange student from Liberia who stayed with my family years ago.

At the beginning of his time in the States, he was some other kid’s exchange student and possibly the only exchange student at my high school. I met Mark in drawing class, and if I wasn’t fast asleep at my desk, we would usually laugh together at my sketches of cubes or penises. At that time in my art, I was strictly a Cubist and a Phallicist, and Mark seemed to appreciate the way I chose to depict adolescent life. We became not quite friends, but playmates – the worst artists in the class who bonded over their ineptitude. It was not until his lunch period transferred to mine that we became friends.

I sat with Mark because I was curious about his life and I was tired of my friends’ discussions about shoes and girls. But I also got off on sitting with Mark. At a large table for everyone to see, I sat on the stool next to him like it was a moral throne of superiority. An intellectual throne of superiority. There I was, genuinely thrilled to be sitting with Mark, for Mark, simultaneously and acutely aware of how I thought this would make me seem to everyone else. It was a strange high-school version of the white savior complex.

It seemed only right that fate would test my commitment after months of friendship when one afternoon Mark came to lunch with tears swelling in his eyes. His host family no longer wanted to host him, and if he didn’t find a new place to stay in two weeks’ time, he’d have to go back to Liberia. Once the tears passed and he was no longer choked up, he gathered the courage to speak. “Jono, could I stay with you?”

With one leg irreversibly bent (from an untreated infection in his youth), Mark slowly hobbled up to his new room in my mother’s house that weekend. The six months Mark and I lived together were challenging. For starters, after I tore my ACL playing football and was at the mercy of crutches, we rode the special needs minibus together. Mark, who had been using a walker long before I met him, was acclimated to the minibus life. He thrived there. Aside from me, he was the only one on the bus not to have down-syndrome. He hugged everyone on the bus every morning. He played Maroon 5’s Moves like Jagger on his portable speaker, getting the entire bus, all five rows, amped for the day. With his walker, he hobbled up and down the aisle, gently tapping the other passengers on the back, letting them know he was their friend. In hindsight it was beautiful, watching him with his terribly oversized clothes, his flat brimmed hat slanted off to the side, so assured in himself as he uplifted everyone in his proximity. Camp. Pure camp. But grappling with my injury and fears of being seen on the special needs bus, I couldn’t see the beauty of those morning bus rides.

A bulk of my time with Mark was spent in front of the TV He was never shy about what he wanted to watch and he always wanted to watch the same thing, The Three Stooges. He could watch The Stooges for hours. The eye poking, head smacking, nose breaking, all of it made him jump up and down in his chair. He couldn’t contain his glee. At first, I loved watching him get hysterical with The Stooges. Anyone who saw this, loved it. But eventually I grew tired of the spectacle and protested putting it on. There was only so much 1930s physical comedy I could take. If I put on a sitcom, which I often did, Mark would watch for a few minutes before going to his room and listening to gospel on his tiny black portable radio.

In Italy these days, the choreography of my life has me waltz into the house at around eleven thirty. Davide, my host father who bears an uncanny resemblance to Vincent Van Gogh, will be sitting in a dark room on a thin blue sofa, his face glowing from the luminosity of the local news. For weeks, I would instinctively sit next to him and watch the entire program, nodding along as if I understood. After a while, I grew afraid he’d think I was informed about local current events and want to discuss further at dinner. In reality, all I gathered from these sessions were that the news anchor’s breasts seemed to fluctuate size each night.

Occasionally, he’d be bored and flip the station to a rerun of Italia’s Got Talent. Like America and Britain’s talent show, IGA follows the same formula. Three judges. One is mean. One is saccharine. The third tells it like it is – a real vessel for the average viewer. I don’t need to speak Italian to understand that the rodeo clown from Rome isn’t going to make it to the next round or that the fifteen year old sweetheart cancer survivor from Turin is universally adored. When Davide changes the channel back to the news, my posture sinks a little and I feel this ephemeral jab. Hey, I was watching that. I understood that. But rather than retreating to gospel radio, I sit there silent, listening to my own internal talk show.

It can sting, the retrospective swirl. How much of a relief it must have been, after a long day of hardly understanding what people were saying and hardly being understood, to sit back and watch The Stooges communicate with hardly any words. To think of the days I took that away from Mark makes me cringe. Why, on a daily basis, do I search on YouTube, Italia’s Got Talent Highlights?

Every additional day in Italy brings back memories of Mark. And with each of these memories comes a shift in perspective. The memory forms into a recollection through eyes that are not my own, but not quite Mark’s either.  And here, in the retrospective swirl, the differences between being tolerated and being accepted become clear. The disparity became most transparent to me while at a dinner party organized by my host family . From the moment I come downstairs, I felt as though I was the main attraction. Those who didn’t speak English immediately apologized for it, and those who did, asked me questions like it is was a requirement to do so. At a point in the meal, a heavy set Sicilian man, who commanded the attention of the table, asked if I’d ever move to Italy. Everyone waited for my answer. Behind me, the kids, all of whom had used up their repository for sitting still, played with Legos on the floor. It was as odd to me as it was familiar. A few years earlier, Mark had been in the same seat.

In the winter of 2012, my mother and I brought Mark up the street to the annual neighborhood Hanukah party. People greeted Mark with warm smiles and wide eyes. He too was a spectacle, but I don’t recall anyone apologizing for their stilted Loma, the tribal language of Monrovia, Liberia. People took photos with him. I saw those later on Facebook. A cultural badge I suppose, a mitzvah badge. Though, I’m not sure what exactly was the mitzvah.

There were two main rooms at the Hanukah party. The dining room, which had a seat for you if you were over twelve, and the playroom, designated for a rambunctious group of moppy headed toddlers, all of whom were celebrating the holiday with the then popular game, Rock Band. In the dining room, Mark answered the expected questions: name, birth place, diseases he has survived. No one asked if he’d ever consider a permanent move to America.

Mark faded to the background as the adults transitioned to a new topic. After the Matzah ball soup bowls were cleared, Mark retreated to the playroom to jam out. Four year old “Jew-fro Joshie” was on the drums. “Half asleep Hymie” was on the bass. “Solomon Schechter Soprano Theo” was on vocals. And a seventeen year old Liberian teenager was on lead guitar. Their overall rating was as low as the game could measure, but Mark felt at ease there. He was not a spectacle in that room, but an element of its harmony.

It’s the assumptions we make about those who speak English and those who don’t. It is our narrow views of what it means to live in a “developed” world. To be welcomed is to have someone kindly acknowledge your presence in the world for a moment. To be accepted is to be granted confirmation that your presence has value, both in that moment, and after you depart. Of course he’d move to America! Why would you even ask?

It’s a strange reality to be summoned into, the one where it feels I can do no wrong and excite people just by the sounds that leave my mouth. Moments where I am sad or lethargic seem to be interpreted as politeness or calmness. Mark, on the other hand, had to Americanize his name before arriving. His name! His name is Manko. Manko! To think we could be so terribly inconvenienced with the replacement of the n, and the addition of the o! God forbid!

I have no solution to the discomfort that follows the retrospective swirl. It is the very small price for this privilege. Nor do I have a solution to minimize the disparity between feeling tolerated versus feeling accepted. But travel seems to chip away at it. Because when I travel I am able to sense how arbitrary my fate is, and that it is by sheer circumstance I inhabit this thing called my life. It’s then, once I’ve been vulnerable to that fact that I am a product of circumstance rather than some divine predisposition, that I can sit with someone because the seat is open, not because I am aware of how that seat might make me look. I don’t think I owe anything to the stranger next to me, but I do owe it to myself to acknowledge I can’t hate anybody’s story I know. Because aren’t we all trying to make the best hand of the cards we’re dealt?

It’s a shame to me, these bus rides. Watching Dalia weave through white seas of people, trying to go unnoticed. I can see Manko in those moments. I can see what we are all missing. A friend, bumping up and down the aisle, gently squeezing our shoulders, letting each of us know we matter –  we each have value.

 

 

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Hanukah 2012

The Balance of Breathing

If you type “why do Asians” into the Google search bar, Google intelligence will likely suggest you finish your question with the words “wear masks.” Why do Asians wear masks? Above “do well in school,” “bow,” “buy baby formula,” and “drink hot water,” people around the world want to know what the deal is with these surgical masks.

No more than three years ago, I’d been sitting on the Q train, heading from Astoria to Greenwich Village, on what I remember being a beautiful, clear summer day. On the third or fourth stop a covey of young Asian women trickled in, each in matching navy striped skirts, tiny backpacks that have the capacity to hold a single tissue, and of course, surgical masks. In a coordinated succession, they sat across from me. Had there been a desk between us, it would have felt like an interview with eight surgeons; had there been a bed between us, it would have felt like a cliche “the end is near so let’s just have an orgy” themed porno; and had there been a counter between us, well, it would have felt like ordering takeout from a place needing a long overdue health inspection. This was the first time I remember the masks being unignorable. I was out numbered in that subway.

What did they know that I didn’t? Had Ebola returned? I eventually moved subway cars, not because of the awkward, lingering silence between the nine of us, but because without a mask, I felt like I did back in grammar school, embarrassed for showing up yet again without my homework. And now, when I’m in the unmasked minority, I feel fleeting panic.

In Padova, where I currently live, it is common knowledge that the air quality here is worse than in any other part of Italy. Nestled into a valley between two industrial regions, Padova is hospitable to pollution, smog, and dust. Walking the cobblestoned streets and the corrugated alleyways, you’d have difficulty spotting the walking Asian trope. The conditions don’t warrant the risk.

Italians however, seem indifferent. Stationed at every corner appear to be the blaśe chain smoker, and every bike ride from my house into the city center is filled with a periodic and rotten smell emanating from the numerous landfills I’ll pass along the way. Five or six landfills in just a three mile stretch. Incessant and yet I still see people zooming around on mopeds, taking in as much air as one can, and as quickly as possible.

It is on these bike rides I am likely to think back to those girls in that subway car years ago and the prudence of their masks. Is it insensible I’m not wearing a mask right now, on this very bike ride?  Just late last year I had been in the Bay Area of California when the state declared that the air quality reached purple on the Air Quality Index, which at the time, was said to be worst in the world. Unknown.png                          Only then did people scurry for surgical masks and the streets looked like a scene from Contagion. Online that week I remember watching a comedian say something along the lines of, “have you seen on the news how bad the air quality is in San Francisco? Even black people are wearing those masks. DO YOU KNOW HOW BAD THE AIR HAS TO BE IF YOU’RE SEEING A GROWN ASS BLACK MAN WEARING ONE OF THOSE ASIAN TRAVEL MASKS.”

It is odd to me, and apparent, as I travel, how health priorities differ among cultures. It is clear no one has it all figured out, but how our habits and anxieties form is something I’ve grown to find fascinating as I hop from country to country. I also think back to college, puzzled as to how often I watched Asian students both wear surgical masks on walks to class and then, no more than an hour later, see them slide their masks to their neck and smoke a cigarette. Maybe I am getting this wrong, and I didn’t see this as often as my memory thinks I did. But if my recollection isn’t distorted, then the masks aren’t really a sign of prudence but rather social courtesy. And considering all that Eastern Asia has endured; the 2002 SARS outbreak, the 2006 Bird Flu panic, and worst of the outbreaks, the flu that spread throughout Japan and onwards, killing more than twenty million people world wide at the beginning of the 20th century. But epidemics occur everywhere. Why the bind between Asians and masks? Perhaps the practice is influenced by Taoism and the effort to preserve the sanctity of breath. Or maybe it is related to over-population and the consequences of living without personal space in a collectivist society, passively asks its citizens to at least make it look like they’re trying to keep everyone else safe.

So where do we draw the line with this air quality conundrum. In Padova the air quality is often in the orange or the red, and no one is wearing a mask anytime soon. It’s odd how Americans, a people not known for their self-control, reduced the habit of smoking from 42% of adults smokers in 1965 to 14% in 2018. The only way I can explain this to myself is the fact America is a society rooted in individualism. We quit smoking because it could kill us, and by us I mean the individual me. The only way I could see Italians reducing their smoking is if they felt the pressure from their neighbor to stop. There would have to be a when you smoke you’re slowly killing us mentality, because in a collectivist society, health movements seem to stem from not wanting to be different, in contrast to America, where we are always trying to be.

It’s a subtle joy of travel – seeing how different cultures embrace their health. In America there has been a gym craze for the last thirty years, and a yoga craze, and a spin craze, fitbits and diets, rice crackers and mindfulness, and yet we still eat more than the eye can see. In Italy, they chain smoke, but scoff at unnatural honey. I see old ladies on bicycles, hardly any runners, and as a whole have learned people are less likely to go to therapy, but also seem less likely to repress their feelings.

No one has the answer. Good health is as much observation as it is a practice. But it is one of the many joys I’ve found while traveling – seeing what is worth trying and avoiding, worth adopting and forgoing. Like these long smelly bike rides into town, filled with exercise and exploration, dust and smoke.

Get Lost

I have never appreciated a corn maze.

Growing up in Connecticut, I witnessed many examples of extravagant wealth. Big houses. Gluten free without celicas. Water imported from the exotic island of Fiji. And yet nothing quite said I have too much money like voluntarily paying to have your entire family dawdle in what other parts of the country just called agriculture. Appreciating labyrinths of corn, like so many in my neighborhood, was more a puzzle to me than trying to escape one. And it is beside the point that the one redeeming quality of corn mazes – time spent outside –was squandered when the activity squeezed itself inside, into what we now call Escape Rooms. When I explain this autumn tradition to my Italian hosts, their incertitude is comforting, “wait, no capito. Why do you pay for this?”

Patience for mazes was no greater in 2004, when I was eight. A beautiful autumn day. Leaves painted every frame the car window shaped while on our way to a family farm thirty minutes down the road in a town called Suffield. A crisp breeze infused with the smell of the orchard welcomed you as you stepped out of the car. Apple flavored everything. The smell of hay when horses weren’t around. That was the magic of the hayride. The flannels. The freshness of the air. Autumn in New England was a good thing – until you’ve had your fun, and suddenly everyone wanted to pretend they were in 1984’s Children of the Corn.

My family, giving me too much credit, neglected to explain the objective of a maze. I figured, reasonably I’d still argue, that the idea of the maze was not to escape but to hide. In other words, to get dangerously lost. There is no quicker way to get stuck in a maze than to look for a good hiding spot. It was only by some grace of the agricultural gods that someone found me just before I defecated.

Now when I denigrate corn mazes, my mother reminds me it was for the caramel candied apples we went for: the autumnal novelty. I see her point, but it’s not like wandering aimlessly in overgrown shrubs complimented the saccharine and sourness of the candied apple. If anything, it made it a consolation for needing to be rescued. When I think back on that day, I see it in aerial view and I laugh. From this view I can see my family all at once, my brother eager to make record time, my parents exhausted walking behind him just trying to provide a normal childhood, and me hiding, squatting, both scared and impressed with the spot I found myself in. “They’re fun if you have the right attitude,” my mom says now.

It was her voice I heard as I threaded the narrow alleyways and canals of Venice.  It was during these moments, both in Venice and Suffield, where you’d be on a narrow path, look right and left, dumbfounded you couldn’t even tell which which way you came from, and rely on your attitude to make light of your own folly. But with Google Maps, the rock climbing harness of contemporary life, we tread only for a moment, open our phones, and go on our merry way. Attitude gives way to pragmatic direction following.

Once my friend, who was both diligent and well acclimated to the winding ways of Venice, left my brother and me, and our phones inevitably died, we finally had to look to our attitudes to help enjoy independent guiding. At the beginning, spirits would prove easy to keep high when navigating the beautiful archipelago, no matter how lost we were. In Venice, being misguided is hardly unfortunate, as it is enchanting, like you’ve entered an all too real fairytale. The need to stay on course was easy to compromise when, if you took a wrong turn, you’d run into a piazza filled with people in 15th century costumes dancing along the canal. That’s the magic of Venice. It can turn the most sensible, matter-of-fact kind of person into a romantic, even if only for the duration of their time there. Venice is a miracle for the spirit in this way. To build a city where it is impossible to build a city – well that madness alone deserves to uplift any soul, no matter how off track.

But despite its mystical aura, there are only so many wrong turns you take before you begin to hate the world. We were back in Suffield again. Dead phones were no longer a charming relic of the past, but a source of self-loathing rooted in lack of foresight. Two days earlier we had been cruising on a speedboat wearing capes and gowns and masks, on our way to a Masquerade Ball, and now, we were suffocated between bricks that seemed to crepitate inwards by the second. One moment you’re an epicurean nautical getaway on the Adriatic or you’re sinking your teeth into a decadent candied apple, and then in the next, you’re lost and those pleasures feel so far like a part of someone else’s past. This also was not to mention we had had enough of each other, my brother and me. We already passed that gelato shop, he said at one point. No we didn’t, that was a different one because this one serves coffee mocha and that other gelato shop was too classy to serve such a redundant flavor, I snapped back. My mother, who is no better a navigator herself, would have totally ignored her sage remarks on attitude had she been there. She’d have fired a flare gun in such a situation.

The Venetian sun set above us and we scurried every which way like rats in a maze. I don’t know how much time passed before we found a familiar landmark and set back on course. Probably 40 minutes. Writers have a tendency for melodrama but so does life.

When I return to the States in two months, there will be people who inevitably ask, with a sense of irony, abroad totally changed you, right? I’ll likely list off a few things they expect like things I learned: some recipes or linguistic commonalities and there will be nothing wrong with those answers. But for those with whom I feel close enough to make sense of the world, I’ll bring up mazes and stories of getting lost. Because it is getting lost that inevitably changes you and you’re more vulnerable to lose your way when you set out far from home. When I think back on the mazes of my past, like hiding in Suffield, navigational errors one winter in Brussels, or when someone I knew so well and saw every day left my life, or being unable to wind through the streets of Venice correctly,  I can see my own evolution. In those moments we shed a piece of ourselves. We desert the part of us that insists on being precisely who we thought we needed to be. When you’re lost in a maze you can be anyone. If your body isn’t accountable to knowable coordinates, why should your temperament? My mother is right about attitude when you go into a corn maze, you just need to know what question to ask: are you going to be okay with letting a part of yourself go when you set out to be lost? A good navigator gets from point A to B, but a good traveler – they accept the differences between the distance.  

I don’t think I’ll go back to a corn maze anytime soon, nor will I go to an escape room, I seem to be finding those naturally as it is. But I’ll admit, I can’t help but smirk and shake my head in dissaproval when I picture what corn mazes must look like today. Families huddled around a smartphone, simply following the next audible instruction, finishing in minutes. I never wanted to be lost in a maze in the first place, but if you’re gonna pay the entry fee you might as well get your money’s worth.

 

 

 

 

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On our way to the ball.

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Just an ordinary picture of a Venetian man or woman.

Waiting for Lent

A mask in the window. Like the mask Robin from Batman wears, or Romeo’s mask at the Ball, even Hilary Duff’s mask in A Cinderella Story at a high school dance with Chad Michael Murray in which the audience is  actually supposed  to believe that he doesn’t recognize her in what doesn’t even deserve to be called a disguise. That type of mask. It caught my attention from the street in a costume shop window.

Carnivale is next week. Actually it already started but by the end of the week,Venice will welcome visitors from around the globe for its most celebrated and crowded time of year — a 48 hour party, filled with Venetian gowns, formal bowing, confetti wafting into canals, and other hedonistic desires people wish to relinquish before Lent. Only twenty minutes from Venice, Padua harbors much of Carnivales residual hype. Intending to attend a traditional Masquerade ball, my selective attention seeks viable costumes. I saw the mask in the window. It was black laced and wrapped around the eyes of a voluptuous mannequin that stood in front of a black sheet that veiled the rest of the store. It seemed poor marketing to hide all other costumes from  a passersby but conceivable when considering an Italian’s priority for the display’s aesthetic over its marketability.

From the sidewalk, with some ambivalence, I considered if the right mask lived somewhere behind that curtain — cheap and sleek, but modest. I entered the store from the back. I had to buzz in and wave to a camera that arched over the door frame. A loud, startling buzz granted me access.

It was the middle of the afternoon when I entered “Il Sogno,” which translates to The Dream  — not a costume shop, but an empty BDSM sex shop. A sole employee, who looked like a lost member of the Aryan nation, stood behind the counter and stayed vigilant to my every step. He wore tight jean shorts and a red flannel shirt as if he were a stripper playing a lumberjack. And though we were in Italy, Italian from his mouth didn’t quite fit —  like watching a familiar television program set to another language. The elegance of his words seemed misplaced coming from his bald head, which, oddly enough, stood in front of an assortment of mannequin heads, each with adjustable mouths, intended for different sized penises to be inserted.

We couldn’t communicate. I just wanted to look around, but could only say  “I want to walk,” and then moved my index finger in a circular motion. He just groaned, unamused but seemingly frustrated. I was still in the market for a Venetian mask but not entirely incurious about the beware signs that hung at the top of the basement stairs.

Adolfino, as I imagined his name might be, eventually left his post and followed me around the store. After letting the second pulsating vibrator drop from my hands, I couldn’t blame his attentiveness. He wanted me out, and as I weaved through the sex cages, leather strapped sex swings, and steel spiked whips, he followed, grabbing muzzles and dildos along the way, holding them to my chest. Either he was desperate for a dildo sale or he was shooing me out of the store with them. It was hard to tell in such sexy lighting.

I didn’t find a mask. More accurately, I didn’t find a mask that didn’t invite people to hold me down and defile my mouth —  they actually had an abundance of those sorts of masks .I didn’t find a proper mask or costume at the two other sex shops I subsequently visited; nor was I really looking for them. I  just found the places fascinating. The emptiness. The forbidness. The secrecy. Entering amid the sound of the buzzer was like submerging yourself into the physical embodiment of the dark web. These weren’t just kinky stores with edgy toys to spice things up in the bedroom, these were places with mazes doubling as basements that had beds doubling as sex contraptions. They had installation plans for sex swings and cages- so many cages. And yet the banality of it. Empty but hiding in plain sight. I had no business being there, not because I’m above alternative forms of arousal, but simply because I couldn’t afford a single thing being sold.. A mere rope, a ten foot rope was over forty American dollars, and that was a checkout item, like gum at the register of a grocery store. But Il Sogno and similar shops crystalized the differences I had already observed between American and Italian culture.

It was the way Italians compartmentalize their lives. Eroticism and the duality of sex furniture appeared utterly contradictory to the Italian reluctance to multi-task. It is the same reluctance to go grocery shopping for a week’s worth of food but rather go briefly each day for the next meal. The same reluctance to hire employees remotely, and the same discomfort a new friend expressed when I told her that in America our pharmacies are inside other stores. Convenience stores alone stand antithetical to the compartmentalization of the Italian mindset. I wouldn’t dare try to explain Costco or the new trend of axe throwing at bars. In Italy,  I imagine they prefer to keep their drinking separate from their axe throwing.

It is athleisure, buffet style restaurants, partying in line while waiting for beer all night, amusement parks, gyms with coffee shops inside, walking meditation classes. In America we multitask as way of life and t is spreading of course. Even Italy can sense it quickly coming. But when my host father tells me not to put anything on my pasta plate until every ounce of pasta is gone or that while in Florence seeing Italians marvel at the variety of an Eataly store, I can recognize the way I’ve muddied lines between shapes I never knew were there.

Aren’t sex shops like these an exercise of multitasking? Not just the physical gymnastics these contraptions require, but the combining of sex and fear, danger and intimacy.  It speaks up against the Italian attitudes of moderation and the afternoons and evenings of pacified contentment. It is a signature difference between societys based on Individualism versus Collectivism. In the former you can openly acknowledge you want more, that you’re not content with what you have. But in latter, like in Italy, to openly acknowledge something like this undermines their whole system of living. This is why in America we always want more and new, and then some more of that. We have less to swallow before stepping into a place like Il Sogno. And Carnivale is for the release of these desires, these indulgences, but of course it is tradition your identity be masked for the event.

I don’t know what the equivalent of Carnival in America is. I think we have a mini Carnivale every day — each time we maximize efficiency just a little more. We don’t section off a month to go for it all, we’ve managed to implement that into daily life, each time your bank has a Starbucks inside. We Americans feel to be more shameless in demaning what we desire.

My afternoon ends at the perimeter of the school yard. The bell rings and parades of children run up to the gate. Before they can go, I must make eye contact with their teacher and wave, signaling she’s off the clock. They come running, their backpacks wheeling behind. To Allesandro and Ingrid, and any child really, I may as well have been standing at the school gate since I dropped them off that morning. When you’re in school, time is finite in the confines of the school yard fence, it ceases to exist past those boundaries.

As we slowly walked over the bridge homeward bound, I could suddenly remember how enchanted the outside world felt when I’d leave early from school for a doctors appointment. So this is what the world looks like while I’m at school. Was it always so sunny? Was it always this seductive?

It might be one of the more subtle and yet sobering parts of adulthood —  coming to know the world in the day time light. Throughout an education, at least up until college, they want you there. You are even punished if you don’t show up. They make you stay later. But out here in the sobering light of day, without class or a job, they chase you back out into the world, sometimes waving a dildo.

 

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The walk home.

Waiting Your Turn

Last week at this time, I was shivering on a litter-covered sidewalk in Red Hook, Brooklyn. Wrapped in blankets and scarves, I waited in line for six hours surrounded by hundreds of heavy-set, bearish men, each of us (except me and a couple close friends) waiting for the release of a new craft beer.

Hours earlier, before I found myself despising my awful judgement in that never-ending queue, a friend had seen an ad on craigslist to help some beer enthusiast wait in line with him all night so he could buy as much beer as was allowed. Each person in line could buy only five cases, and he paid us to wait with him so that he could buy fifteen more cases. “Easy money – all you have to do is stand in line,” the ad read.

We arrived at 4am. Concerts of men camouflaged the sidewalks. They were partying- huddled in intimate circles, drinking the beer they stayed up all night last week waiting for. A sea of football jerseys, long beards, solo cups, and unused lawn chairs garnished the streets for blocks. I stood hunched over with my butt touching the brick wall, occasionally breaking the lingering eye contact I’d been making with my feet to look up at my friends. While everyone celebrated the release of this limited edition beer, we looked like we just arrived off the boat at Ellis Island.

Two days later my feet marinated in the sun over 4000 miles from that sullied street in Brooklyn. I’d be surrounded by as many bodies, but here I’d sit and I’d watch more graceful people sip espressos and inspect white lilies from a flower stand that made even a foreigner feel at home under it’s awning.

I was in the center of Padua, Italy, leaning on a stone wall while sitting on a stool, considering another culture’s version of leisure.

Inside Piazza delle Erbe (Padua’s main city square) the distance from home felt emotionally further than the miles that stretched across the Atlantic. I’d wiggle on my stool just a bit to align to its groove, and I’d settle in.

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Today marks a week since I’ve been in Italy. The Bergamasco’s (my host family), the varicolored buildings that stand more confident than those back home, and the pace of life that saunters around these Romanesque structures, have all made my transition seamless. No jet lag, no homesickness, no craft beer. Just a loving family, a vibrant,cozy home, and more pasta than I can eat (that’s not actually possible).

I take the bus now, I eat dinner late now, I take care of two children who barely understand the words I say now.

On my first morning here, an hour before I found myself giddy at the perimeter of Piazza delle Erbe, I dropped off Alessandro and Ingrid at school. As I left the school, two fathers,  both whom seemed dressed for work, asked (in Italian) if I’d like to grab a cappuccino quickly. The coffee bar was thirty meters away.

It’s hard not to immediately recollect an image of any school drop-off from my childhood. Bumper to bumper in a parking lot, horns honking at forgetful kids reminding them to come back and retrieve their lunch, and hearing the words come from every direction, “you’re gonna be late.”

Alessandro and Ingrid hug me goodbye, I’ve known them for ten hours, and then two men, clearly observant enough to recognize I am new, ask me to join them for coffee. I often romanticize places when I first arrive, but Italy gave me no choice. It didn’t matter that they didn’t talk to me once we got there because I speak hardly any Italian or that they probably won’t invite me again, because I didn’t understand them anyways. It was the cadence of things I loved; the undemanding pace of their step contrasted with the sharp speed of their hands as they spoke.

The rest of the week was spent wandering the city. Long runs to get familiarized with the streets and shops, swallowing shame to talk to anyone who’d be willing, getting a library card, and looking for anyway to integrate myself into this new place. How does one make a place their home?

On the horizon awaits a trip to Bologna. I’m on the train headed that way right now and when I think about waiting on that sidewalk in Brooklyn it is easy to realize that this is what I was waiting in line for; this adventure, this perspective, this train ride. As it would have it, I spent the money made that night  on this Bolognan adventure. Somethings are worth waiting for, no matter how cold.